School of Athens by Raphael Analization

The schooltime Of capital of Greece by Raphael Nii Teiko Tagoe 9/11/12 LBTS 1105 The schooling of Athens by Raphael is a pictorial matter that really relates to immaculate philosophy and humanism. It is wholeness of the immenseest movies in the high Renaissance, and it was multi-colour in sensation of the greatest both(prenominal) extraordinarily decorated rooms in the Vati send away, the name of the room was the Stanza della Segnatura. The school of Athens was painted by Raphael between 1508 and 1511, and it was decently around the time Michelangelo was ikon the sixteenth chapel.One of the things that makes this painting so special is that The School of Athens represents all the greatest mathematicians, philosophers and scientists from classical antiquity ga at that modeld together communion their ideas and learning from each other. These figures all lived at different times, but here they atomic number 18 gathered together under unmatched roof. The painting consist s of generic and geometric excogitates there is a good balance of some(prenominal) in the painting.One of the first things that stand out(a) to me is all the decoration that is surrounding the fresco in the painting and in addition the monochrome sculptures at the base that are prickering the fresco. When you look close to the painting you can see that it was done in a one point perspective, the vanishing point and the visible horizon line run right finished the center of the picture and sort of hold on behind the twain central figures heads, and those ii are Plato and Aristotle. The vanishing point almost divides the painting into two as its right in the middle of those two figures.The only place that I see a two point perspective being use in this painting is the block of scar on the floor that Michelangelo is leaning on. I also see some illusionism enceinte a sense of space departure on as pertaining to the use of one point perspective, through the floors and the co ffers and the celling. The use of phoney and actual texture and repetition in these areas also help create some of these illusions. There are different elements used, such(prenominal) as line, texture and repetition that helps confirm Raphaels painting.Overall Raphaels use of sensitive wrings in most areas of the painting could be looked at symbolically, such as the use of red demonstrating wisdom and berth as it is used on the of import figures in the painting. The comments in worldwide are light but non too bight to keep a sense of seriousness in the painting. The secure light is focused more on the people in the back, and shadow is around casted upon the figures towards the front. Raphael used chiaroscuro to show underlying form structure in each of the figures and to also show and create depth and shape in the painting. he painting boilersuit has a lot of analogous subterfuge schemes going on, with the characters, and the same analogous color scheme going on with th e walls, the windows the floors and the back ground in general. But the color scheme in the characters pertaining to the background is praising when it comes to certain figures. Overall this is a marvelous piece of art and Raphael did a great job over all of characterisation each individual character and brings liveness into them in the painting.